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Cover by William Wegman
aimed at alerting the viewer to the power of mass media design and the constant assault of information
Technological Advances: The catalog discusses the transition from black-and-white to early color processes (like the Carbro print) and how these technical leaps allowed for more persuasive and "artistic" commercial messaging
This publication serves as a formal catalog and record of the Creative Artists Public Service (CAPS) Program for the 1973–74 grant cycle
Abstract Identities (Patti Ambrogi and Willie Middlebrook). Untitled (Friends of Photography) Cover by William WegmanCatalog for exhibit, January 12 March 15, 1993. Robert B. Menschel Photography Gallery No. 31. Syracuse University, Syracuse, N. Y., 1993. 20 pages, 14 illustrations (12 color). Essay by Amy Hufnagel. Includes selected works from Black photographer Middlebrook's series "Portraits of My People: Black Male Love Song." Fine. Summary: Abstract Identities, published in 1993 by the Light Work Robert B. Menschel Photography Gallery, is a significant
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