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Frank’s work was considered radical and "anti-photographic" due to its grainy
concentrated macro-illumination
Christian Belpaire: This portfolio takes the reader to the Hebrides
Barry Lane
Aperture, Volume 13, Number 4, 1968. Manuel Alvarez Bravo, Henri Cartier-Bresson, John Spence Weir, et al. Signed book Frank’s work was considered radicalPortfolios by Manuel Alvarez Bravo, Henri Cartier Bresson, and John Spence Weir. Also Notman, Harry Callahan, Wynn Bullock, exhibitions in Northern California, Che Guevara dead, reviews, etc. Very good with a few spots, crimps, still nice. Not issued with an ISBN number. Summary: The 1968 issue of Aperture (Vol. 13, No. 4) is a masterfully curated edition that examines the intersection of "straight" photography and poetic symbolism. Under the
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