'BAD CHOICES' Gallery_Featured There is confidence in the

There is confidence in the density — a controlled insistence — allowing the composition to hold weight without excess

where familiar forms return and hold

Set against a dark ground

grounded proportion without reading as cropped

'BAD CHOICES' Gallery_Featured There is confidence in theBad Choices began as a meditative exercise. I was listening to music and letting my hand move without much intention. When I stopped and really looked at what was happening on the surface, I wasnt immediately happy with it. Instead of abandoning it, I stayed with the pieceadding, adjusting, responding to what was already there. The painting slowly found its own direction through layering and revision. What emerged surprised me, and by the end, it felt