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specifically "straight photography" (unmanipulated camera work) and his theory of Equivalents—the idea that a visual image must serve as a direct physical manifestation of the artist's inner
is a powerful editorial time capsule that captures the optimism and the burgeoning tension of the early 1960s
The Civil War Strata: Faded
Archival Finding Aid and Inventory
Women Photographers. The Woman's Eye, edited by Anne Tucker. Signed Copy specifically "straight photography" (unmanipulated cameraKnopf, 1975. Hardcover with protected dust jacket, 2nd printing (1st issued in 1973); very good in dust jacket with one inch triangular edge chip on verso. Tanning inside back cover, otherwise fine. Selections of work by ten major women photographers: Berenice Abbott; Diane Arbus; Margaret Bourke White; Judy Dater; Frances Benjamin Johnston; Gertrude Ksebier; Dorothea Lange; Barbara Morgan; Bea Nettles; Alisa Wells. Edited and with an introduction by
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